Rei Kawakubo / Comme des Garcons
Art of the In-Between
The galleries illustrate the designer's revolutionary experiments in "in-betweenness"—the space between boundaries. Objects are organized into nine aesthetic expressions of interstitiality in Kawakubo's work: Absence/Presence, Design/Not Design, Fashion/Anti-Fashion, Model/Multiple, Then/Now, High/Low, Self/Other, Object/Subject, and Clothes/Not Clothes. Kawakubo breaks down the imaginary walls between these dualisms, exposing their artificiality and arbitrariness.
川久保玲的Comme des Garcons對很多人而言就像是一個傳說,她代表了叛逆反抗、永遠從各方面不斷挑戰、嘗試,同時也是成功整合想像概念與現實商業模式的優異典範,他的一言一行,每個想法及每件作品背後的意含,都有著讓人反思再三的巨大空間。
透過這次Met Gala的展覽,大家可以更清楚更近距離的欣賞她從1980年代到現在的精彩作品。
以下是我們於展覽會場的直接紀錄,簡單搭配各展區的綱目及引言,各位可以用自己的想法去解釋去想像關於她想要表達的一切,想要獲得更多相關資訊也可以前往他們的官方網站瀏覽。
-Rei Kawakubo,2017
-Rei Kawakubo,1993
3. Fashion / Antifashion
-Rei Kawakubo,1983
4. Model / Multiple
-Rei Kawakubo,1998
5. High / Low
-Rei Kawakubo,2008
6. Then / Now
-Rei Kawakubo,2005
7. Self / Other
-Rei Kawakubo,2011
8. Object / Subject
-Rei Kawakubo,1997
9. Clothes / Not Clothes
-Rei Kawakubo,2014
9.1 From / Function
“Personally, I don’t care about fashion at all…. When I hear ‘where could you wear that?’ or ‘it’s not very wearable,’ or ‘who would wear that?’ to me it’s just sign that someone missed the point.”
-Rei Kawakubo,2012
9.2 Abstraction / Representation
-Rei Kawakubo,2015
9.3 Beautiful / Grotesque
-Rei Kawakubo,2005
9.4 War / Peace
-Rei Kawakubo,2010
9.5 Life / Loss
-Rei Kawakubo,2014
9.6 Fact / Fiction
-Rei Kawakubo,2012
9.7 Order / Chaos
-Rei Kawakubo,2016
9.8 Bound / Unbound
-Rei Kawakubo,2011
更多資訊
☞ www.metmuseum.org/exhibitions/listings/2017/rei-kawakubo
☞ http://www.metmuseum.org/-/media/Files/Exhibitions/2017/Rei%20Kawakubo%20Guide.pdf
☞ http://players.brightcove.net/911432378001/SkBUku4V_default/index.html?videoId=5417933188001
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